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Overview

Mr Billy Errington

PhD Research

BA (Hons), MA (Dunelm)


Affiliations
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PhD Research in the School of Modern Languages and Cultures  

Biography

My doctoral thesis, titled ‘The Films of Xavier Dolan: Queering Motherhood and the Nation’, traces the aesthetic and ideological origins of the contemporary mère québécoise in recent Canadian cinema. With scholarly interest in Dolan growing, particularly following the release of his first feature film, J’ai tué ma mère (2009), there remains a need to process the primordiality of maternity as a running thread not only in his work, but throughout Québec’s (filmic) history in relation to understanding the queering of and from self, (m)other, and one’s national identity. With this emphasis on stylistic provenance in mind, this project moves chronologically through some of the most important examples of post-Révolution tranquille cinema and feminist thought, beginning with the works of Anne Claire Poirier, before spanning the influences of Francis Mankiewicz, Guy Coté, Gus Van Sant, and Rodrigue Jean, in order to understand how conceptions of motherhood in the Dolanian sense have been reconfigured following the Quiet Revolution of the mid-20th century. I engage with haptic and tactile theory (particularly that of Jennifer Barker, Laura Marks, and Vivian Sobchack), feminist and psychoanalytic thought (including Bracha Ettinger, Julia Kristeva, and Adrienne Rich), and experiential narratives of pregnancy and embryonic imaging in the medical humanities (currently Lara Freidenfelds and Lisa Mitchell) in order to offer fresh readings of Québécois maternity as an inherently queer institution, simultaneously abstracted from and fundamental to future state formation.

Besides my PhD, I am currently serving as Postgraduate Research Representative on the executive committee of the British Association of Film, Television, and Screen Studies (BAFTSS), having been elected to the role in November 2020. I have taught on the final-year French module Genocide, Violence, and Trauma in French and Francophone Culture, examining the role of (post-)memory and liquid temporalities in First Nations cinema. In summer 2022 I will be undertaking research in Montréal as part of my doctoral project, exploring the Archives gaies du Québec and other cultural institutions.

I hold an MA in Visual Culture (with Distinction) and a BA (Hons) in Modern Languages (First Class Honours), both from Durham University.

Research interests

  • Maternity
  • Visual Culture
  • Queer Studies
  • Quebecois literature and culture
  • Feminist Thought

Publications

Conference Paper

  • (2022), Between Birth & Memory: Maternity in First Nations Cinema of the National Film Board of Canada, 2003-2018, Pushing Boundaries: New Approaches to Material and Visual Culture. Durham, England.
  • (2022), Between "Letting Go" and "Leaving Behind": Screening (Quebecois) Motherhood and Selfishness in Xavier Dolan's film 'Matthias & Maxime' (2019), Motherhoods on Screen: Global Perspectives. Maynooth, Ireland.
  • (2021), Framing Queer Time through the Family in 1985 (dir. Yen Tan, 2018), Queer Representation. Institute for Advanced Studies in the Humanities, University of Edinburgh.