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Overview

Prof. Christina Riggs

Professor (History of Visual Culture)


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Professor (History of Visual Culture) in the Department of History  

Biography

I am a historian of photography and archaeology, with a particular interest in North Africa and the Middle East. My research has considered how different people, at different times, have imagined, studied, and represented the culture we know as ‘ancient Egypt’ – and how the fields of archaeology, art history, and Egyptology developed in tandem with colonial and imperial expansion. I see archives and museum collections not as dead legacies of these difficult pasts, but as living expressions of them which, as historians, we have a responsility to analyze, evaluate, and confront.

Most recently, I have been working on the history of the Tutankhamun discovery and the different trajectories taken by the tomb, its 'treasures', and its archive, from the 1920s to the present day. This is the subject of my most recent book, Treasured: How Tutankhamun Shaped a Century (Atlantic Books 2021; US and Italian editions out in 2022). My study of the photographic archive of the Tutankhamun excavation, including the work of Harry Burton, has been published in a book called Photographing Tutankhamun (Bloomsbury 2019), as well as several articles, catalogue essays, and as a museum exhibition.

I am now extending my research to other photographic archives, media representations, and museum collections, to inform longer-term projects on 1) the historiography of ancient Egyptian art, via the creation and circulation of visual images, and 2) the photographic culture of archaeology in Egyptian and Sudanese Nubia, during the construction of dams at Aswan in the 19th and 20th centuries.

More broadly, I am interested in how photography informs historical methods and how photographs function as social and material objects. Approaches from anthropology, museum studies, and the history of science have helped shape my interdisciplinary work. Trained as an Egyptologist, I began my career working on the visual culture of Roman Egypt and curating museum collections of Egyptian antiquities. Before joining the Department of History at Durham University, I spent twelve years in the Department of Art History and World Art Studies at the University of East Anglia, Norwich.

My research has been funded by the British Academy, the Leverhulme Trust, and the Arts and Humanities Research Council. I have been a Two-Year Fellow, a Visiting Fellow, and the Evans-Pritchard Lecturer at All Souls College, Oxford University. My Evans-Pritchard Lectures were published as Unwrapping Ancient Egypt (Bloomsbury 2014), which was first runner-up in the BKFS Book Prize for Middle Eastern Studies in 2015.

Research Supervision

I welcome inquiries from potential postgraduate research students interested in the history of photography, archaeology, and visual culture. With my Durham colleague Dr Robert Witcher, I am second supervisor of Poppy Grima, who holds an AHRC-funded Collaborative Doctoral Award in conjunction with the British School at Rome; her thesis is looking at the photographic archive of the South Etruria Survey, 1955-75.

Research interests

  • History of photography
  • History of museums, collecting, and display
  • Archaeology, colonialism, and empire

Research groups

Publications

Authored book

  • Riggs, Christina (2020). Ancient Egyptian Magic: A Hands-On Guide. Thames and Hudson.
  • Riggs, Christina (2018). Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive. Routledge.
  • Riggs, Christina (2017). Egypt. Reaktion Books; University of Chicago Press.
  • Riggs, Christina (2017). Tutankhamun: The Original Photographs. The Gower Press.
  • Riggs, Christina (2014). Unwrapping Ancient Egypt. Bloomsbury.
  • Riggs, Christina (2014). Ancient Egyptian Art and Architecture: A Very Short Introduction. Oxford University Press.
  • Riggs, Christina (2006). The Beautiful Burial: Art, Identity, and Funerary Religion in Roman Egypt. Oxford University Press.

Chapter in book

  • Riggs, Christina (2020). Archaeology and photography. In The Handbook of Photography Studies. Pasternak, Gil Bloomsbury.
  • Riggs, Christina (2020). Photographing Tutankhamun: Photo­Objects and the archival afterlives of colonial archaeology. In Photo­Objects: On the Materiality of Photographs and Photo Archives in the Humanities and Sciences. Bärnighausen, Julia, Caraffa, Costanza, Klamm, Stefanie, Schneider, Franke & Wodtke, Petra Max Planck Research Library. 12: 291-308.
  • Riggs, Christina (2018). Loose bodies: Reserve collections, curatorial reservations, and the ancient Egyptian dead. In Museum Storage and Meaning: Tales from the Crypt. Brusius, Mirjam & Singh, Kavita Routledge. 253-62.
  • Riggs, Christina (2015). Discussing knowledge in the making. In Histories of Egyptology: Interdisciplinary Measures. Carruthers, William Routledge. 129-38.
  • Riggs, Christina (2015). Egypt. In The Oxford Handbook of Roman Sculpture. Friedland, Elise A., Sobocinski, Melanie Grunow & Gazda, Elaine K. Oxford University Press. 552-68.
  • Riggs, Christina (2013). Greco-Roman Egypt. In World Archaeology at the Pitt Rivers Museum: A Characterization. Hicks, Dan & Stevenson, Alice Archaeopress. 115-21.
  • Riggs, Christina (2013). Mourning women and decorum in ancient Egyptian art. In Decorum and Experience: Essays in Ancient Culture for John Baines. Frood, Elizabeth & McDonald, Angela Peeters. 156-62.
  • Riggs, Christina (2012). Portraits, prestige, piety: Images of women in Roman Egypt. In A Companion to Women in the Ancient World. James, Sharon L. & Dillon, Sheila Blackwell. 423-36.
  • Riggs, Christina (2010). Tradition and innovation in the burial practices of Roman Egypt. In Tradition and Transformation: Egypt under Roman Rule. Lembke, Katja, Minas-Nerpel, Martina & Pfeiffer, Stefan Brill. 343-56.
  • Riggs, Christina (2010). Ancient Egypt in the museum: Concepts and constructions. In A Companion to Ancient Egypt, 2 vols. Lloyd, Alan B. Blackwell. 2: 1129-53.
  • Riggs, Christina (2008). Gilding the lily: Shrouds, sculpture, and the representation of women in Ptolemaic and early Roman Egypt. In Egypt and Beyond: Essays Presented to Leonard H. Lesko. Thompson, Steven E. & Manuelian, Peter D. Brown University. 285-304.

Edited book

  • Riggs, Christina (2012). The Oxford Handbook of Roman Egypt. Oxford University Press.

Journal Article

  • Riggs, Christina (2017). In the shadows: The study of ancient Egyptian art. Orientalistische Literaturzeitung 112(4-5).
  • Riggs, Christina (2017). Nuns and guns: Thoughts on heritage, histories, and Egyptology. Review of Middle East Studies 51(2): 221.
  • Riggs, Christina (2017). The body in the box: Archiving the Egyptian mummy. Archival Science 17(2): 125.
  • Riggs, Christina (2017). Objects in the photographic archive: Between the field and the museum in Egyptian archaeology. Museum History Journal 10(2): 140.
  • Riggs, Christina (2017). Shouldering the past: Photography, archaeology, and collective effort at the tomb of Tutankhamun. History of Science 55(3): 336-363.
  • Riggs, Christina (2016). Beautiful burials, beautiful skulls: The aesthetics of the Egyptian mummy. The British Journal of Aesthetics 56(3): 247.
  • Riggs, Christina (2016). An autopsic art: Drawings of ‘Dr Granville's mummy’ in the Royal Society archives. Notes and Records: the Royal Society Journal of the History of Science 70(2): 107.
  • Riggs, Christina (2016). Photography and antiquity in the archive, or how Howard Carter moved the road to the Valley of the Kings. History of Photography 40(3): 267-282.
  • Riggs, Christina (2013). A Roman Period child's mummy in the Saffron Walden Museum. Journal of Egyptian Archaeology 99: 265-70.
  • Riggs, Christina (2013). Colonial visions: Egyptian antiquities and contested histories in the Cairo Museum. Museum Worlds: Advances in Research 1(1): 65.
  • Riggs, Christina & Hardwick, Tom (2010). The king as a falcon: A 'lost' statue of Thutmose III rediscovered and reunited. Mitteilungen des Deutschen Archäologischen Instituts Kairo 66: 107-20.
  • Riggs, Christina (2009). Lions, pylons, and feet: A small-scale linen shroud in the Bolton Museum and Art Gallery. Journal of Egyptian Archaeology 95: 249-54.
  • Riggs, Christina (2006). Archaism and artistic sources in Roman Egypt: The coffins of the Soter family and the temple of Deir el-Medina. Bulletin de l'Institut Francais d'Archeologie Orientale 106: 315-32.
  • Riggs, Christina & Depauw, Mark (2003). 'Soternalia' from Deir el-­Bahri, including two coffin lids with Demotic inscriptions. Revue d’Égyptologie 53: 75-90.
  • Riggs, Christina & Stadler, M.A. (2003). A Roman shroud and its Demotic inscriptions in the Museum of Fine Arts, Boston. Journal of the American Research Center in Egypt 40: 69-87.
  • Baines, John & Riggs, Christina (2002). Archaism and kingship: A late royal statue and its Early Dynastic model. Journal of Egyptian Archaeology 87: 103-18.
  • Riggs, Christina (2002). Facing the dead: Recent research on the funerary art of Ptolemaic and Roman Egypt. American Journal of Archaeology 106(1): 85-101.
  • Riggs, Christina (2000). Roman Period mummy masks from Deir el-­Bahri. Journal of Egyptian Archaeology 86: 121-44.

Other (Digital/Visual Media)

  • Riggs, Christina (2012). Ethnicity.
  • Riggs, Christina (2010). The body.
  • Riggs, Christina (2010). Funerary rituals (Ptolemaic and Roman).

Supervision students