Dr George Alexander Gazis
|Associate Professor in the Department of Classics and Ancient History||102 Dun Cow Lane|
|Member of the Centre for the Study of the Ancient Mediterranean and the Near East|
George Alexander Gazis is Assistant Professor in Greek Literature at the Department of Classics and Ancient History. His main research interests lie in Archaic Greek Epic and Lyric in general and the Homeric epics in particular, as well as early Athenian drama. He is especially interested in the function of mortality and the afterlife in the Homeric Epics and early Lyric (especially Stesichorus, Pindar and Bacchylides), and the ways in which these concepts help shape a meta-poetic understanding of the Underworld as a poetic space of free expression for the poet. In his monograph Homer and the Poetics of Hades (2018, OUP) he explores the ways in which epic tradition is recast and retold in the Homeric Hades of Odyssey 11 from the shades’ personal point of view. This results in narratives that have strong affinities with the voice of the Lyric poet and its notorious subjectivity and neglect of epic values such as kleos and timē.
He is currently editing a volume on afterlife beliefs in antiquity with Dr Hooper, and he is also working on his second monograph which focuses on a cognitive interpretation of the phenomenology of the tragic stage and the ways in which it influenced the reception of tragic plays by the early Athenian audiences.
Furthermore, George is interested in the study of the Bronze Age in the Aegean and the Near East as the timeframe in which what came to be known later as the Greek Epic tradition was first formed. The study of Bronze Age Aegean material culture alongside the Linear B records allows for a reconstruction of the socio-economic system of the Mycenaean civilisation that gave rise to that tradition, whereas the Mesopotamian epic traditions which survive in Akkadian cuneiform tablets, allow for a fruitful comparative reading of the two cultures. George’s future research plans include a comparative study of the Underworld and the afterlife in the Homeric epics and the Epic of Gilgamesh in an attempt to identify poetic motifs commonly shared by the two cultures, particularly regarding the meta-poetic function of the Underworld observed in the Homeric tradition.
- Epic Cycle
- Tragedy and Comedy
- Linear B
- Archaic Greek Epic and Lyric
- Near Eastern Epic
- Gazis, G. A. (Published). Lopez-Ruiz C. When the Gods Were Born – Greek Cosmogonies and the Near East. Cambridge MA and London: Harvard University Press, 2010. Journal of Hellenic Studies 132: 234-5.
- Gazis,G. A. (2018). Sammons B. Device and Composition in the Greek Epic Cycle. New York and Oxford: Oxford University Press, 2017. Classical Review 68(2): 317-9.
Chapter in book
- Gazis, G. A. (Forthcoming). Homeric Eschatologies: Beyond the Stream of the Ocean. In Eschatology in Antiquity. In Van Noorden, H. et al. (eds.) Routledge.
- Gazis, G. A. (Forthcoming). Religious Festivals in Homer. In Homeric Encyclopedia. In Pache et al. (eds.) Cambridge University Press.
- Gazis, G. A. (2019). What is your lot? Hades and the Afterlife in Greek Lyric. In Aspects of Death and the Afterlife in Greek Literature. Gazis, G. A. & Hooper, A. Liverpool University Press.
- Gazis G. A. & Papachrysostomou A. (2014). Echoing Hippocrates: Aspects of Genre Intertextuality in the 5th Century BC. In Medicine and Healing in the Ancient Mediterranean World. Michaelides D. Oxbow.
- Gazis, G. A. & Hooper, A. (2019). Aspects of Death and the Afterlife in Greek Literature. Liverpool University Press.
- Gazis, G. A. (2018). Voices of the dead: Hades narratives in the Odyssey and Bacchylides’ Ode 5. Trends in Classics 10(2): 285-305.
- Gazis, G. A. (2015). The Nekyia’s Catalogue of Heroines: narrative unbound. Les Études Classiques 83: 71-101.
- Gazis, G. A. (2011). Odyssey 11: the power of sight in the invisible realm. Rosetta 12: 49-59.