Mr Matthew McCullough
BA (Hons) MA (Dunelm)
|Member of the Department of Music|
At present, I am a PhD candidate in Musicology researching British composers' responses to World War One and the ways in which their work helped shape the collective and cultural memory of the war. I am particularly interested in music's relationship with death, grief, trauma, and remembrance. Supervised by Professor Jeremy Dibble and Professor Bennett Zon, my research is generously funded by a Van Mildert College Trust PhD Scholarship and The Finzi Friends have made a munificent contribution to research expenses. I am also delighted to be affiliated with The Centre for Death and Life Studies.
Originally from Ireland, I took up a place to read music at Durham University on a Vice-Chancellor’s Scholarship in 2016 with a Choral Scholarship at Durham Cathedral. As an undergraduate I was Director of Music at Hatfield College and Director of Music and President of The Dunelm Consort and Players, whilst also undertaking further freelance work. I graduated in July 2019 with First Class Honours and a first class dissertation on Sir Arthur Bliss' Morning Heroes. In 2020, I completed my Masters in Musicology, graduating with Distinction, a faculty award, and a distinction for my dissertation research on the Elizabethan legacy of Eynsford Cottage in the music of Ernest John Moeran.
My broad research specialism lies in British music of the nineteenth and twentieth centuries and the interdisciplinary realms of death and trauma studies. In 2019 my research on Gerald Finzi’s Dies Natalis was published in The Journal of the British Music Society having won first prize in the British Music Society’s 40th anniversary essay competition, my reconstruction of the final verses of Mozart's Miserere were performed by Newcastle Cathedral Choir on Ash Wednesday and in Holy Week 2021, I organised the 'Music, Mortality, and Ritual' symposium for The Centre for Death and Life Studies, and I am currently organising a second conference scheduled for November 2021. Alongside my current research focus, I enjoy maintaining a wider interest in the field with a particular enthusiasm for the life and music of Gerald Finzi, early music, manuscript editing and performance, and harmony and counterpoint.
Beyond my research, I sing as a Lay Clerk and undertake work as a freelance musician throughout the North East. Recent engagements have involved being guest soloist for The English Cornett and Sackbut Ensemble and The Durham Singers, and conducting 'Opera By The Lake with Sir Thomas Allen,' for which I was awarded an Associate Fellowship of Van Mildert College.
I am delighted to be a part of such a lively and intellectually ambitious community of scholars here at Durham, and look forward to more fruitful years of research to come. I always welcome enquiries into research and/or performance collaborations from students, staff, and those beyond the institution and, indeed, the academy, so do feel free to get in touch. I can be reached through the link above.
Music, Mortality, and Ritual, Centre for Death and Life Studies, Durham University, 15 May 2021
'Tone and Tonality: Performing Social Values in British Post-War Musical Commemoration', Music, Mortality, and Ritual Symposium, Centre for Death and Life Studies, Durham University, United Kingdom, 15 May 2021
'Requiem for a Dream — Universality, Sonic Death Ritual, and Associative Symbolism in Sir Arthur Bliss' Morning Heroes', 57th Royal Musical Association Annual Conference, Newcastle University, United Kingdon, 14-16 September 2021 [Accepted]
- 19th- and 20th-Century British and Irish Music and Culture
- Music and World War One
- Death, Ritual, and Memory
- Music and Trauma
- Harmony and Counterpoint
- McCullough, Matthew (2019). A History and Analysis of Gerald Finzi's Dies Natalis. British Music: The Journal of the British Music Society 41(2019/1): 40-57.