Staff profile

Professor Patricia Waugh was Head of Department of English Studies from 2005-2008. She joined the department in 1989 and has been a professor since 1997. She was made a Fellow of the British Academy in 2016. Herspecial interests are in twentieth-century literature, relations between modernism and postmodernism, women’s writing and feminist theory, utopianism, literary criticism and theory, and literature, philosophy, medicine and science. She has taught special topic and MA modules on: postmodernism reading modernism; post-war fiction; utopias and utopianism; literature, philosophy and the self; Virginia Woolf and Bloomsbury; Science, Rhetoric and the Novel. She has given numerous public lectures and international conference papers in these areas. She is interested in contemporary fictional writing and was a member of the Northern Arts Literature Panel (now North-East Arts) and is a founding fellow of the English Association. She was on the RAE2008 and REF2014 panels. She has been a PI on the Leverhulme Tipping Pointsproject which reeived £1m funding to 2013 and she has been a co-I on the Wellcome Trust funded Hearing the Voice project which recieved £1m funding and is a co-colaborator on phase two of the Hearing the Voice project which recieved funding of £3m from the trust and commenced in 2015.

She has published numerous articles and books in these areas. She gave the British Academy Inaugural Lecture on the Novel in 2014 and served as a nominator and assesor for the Yale Literature Prize in 2014.She has also written for The Lancet, The Guardian, The Conversation,eg.,contributed to the Chief Scientific Adviser's Report to the Govenment on Science in 2015 arguing the case for the importance to scientific development of the humanities.

She has successfully supervised doctoral dissertations on: postmodern fiction and language disorder; apocalypticism in twentieth century literature; literature and cognitive science; the two cultures debate; fantasy writing and debates about culture; Virginia Woolf and Bloomsbury; Margaret Atwood and Canadian feminism; the encyclopaedic novel in America after Joyce; Doris Lessing; post-war fiction and the political imagination; Eliot, Joyce and Music; madness and women’s writing in the twentieth century; post-war women’s writing in Britain and Japan; female friendships in modern fiction; Virginia Woolf and cognitive science; Lawrence, phenomenology and the Body; censorship and twentieth-century fiction; contemporary engagements with the body; minimalist aesthetics and literary theory; E M Forster and Bloomsbury and the challenge to ocularcentrism; the metaphor of the demon in science, philosophy and literature since the nineteenth century; twentieth century literature and narrative representations of the afterlife; Virginia Woolf and Thomes de Quincy ); Orwell and Bakhtin (with Dr Jason Harding); Doris Lessing and object realtions theory; Woolf, women's writing and canonicity; The Faust myth and American fiction; medical humanities and literary texts; post-war fiction; cognitive science and the novel; love and aesthetics; Beckett and Eliot; plagiarism amnd literature; posthumanism and Coetzee; Golding and cognitive science; ethics of care and women's writing. She has examined 90 PhDs.

She is currently writing a monograph on Virginia Woolf's Voices, exploriung the relations between experiments with voice in Woolf's writing and her experience as a voice hearer and drawing on interdisciplinary research on voice across literary studies, anthropology, medicine, psychiatry, neuroscience, narratology and philosophy. She is also completing a book with Mark Botha on Critical Transitions: Geanealogies of Intellectual Change, exploring the various inerpretations of the 'tipping point metaphor' as a way of thinking about radical change in intellectual and disciplinary contexts.

• Utopianism and dystopianism
• Virginia Woolf
• aesthetics and literary theory
• literature and psychoanalysis
• literature and science
• literature in its social and political contexts 1960-1990
• medical humanities
• modernist and postmodernist writing
• women's writing in the twentieth century

Authored book

• Waugh, P. (2010). After Two Cultures: Literature, Science and the Good Society
• Waugh, P. (2009). Metafiction: the Theory and Practice of Self-Conscious Fiction. (third edition, revised and expanded). Routledge
• Waugh, P. (2009). Blackwell History of British Fiction: 1945-present. Blackwell
• Waugh, P. (1997). Revolutions of the Word: Intellectual Contexts for the Study of Modern Literature. Edward Arnold
• Waugh, P., Carpi, D., Hartman, G., & Hillis Miller, J. (1997). Cultura, Scienza, Hypertext. Ligouri
• Waugh, P. (1995). The Harvest of the Sixties: English Literature and its Background 1960-90. Oxford UP
• Waugh, P. (1992). Modern Literary Theory. (2nd Revised ed.). Edward Arnold
• Waugh, P. (1992). Postmodernism: A Reader. Edward Arnold
• Waugh, P. (1992). Practicing Postmodernism: Reading Modernism. Edward Arnold
• Waugh, P. (1989). Feminine Fictions: Revisiting the Postmodern. Routledge
• Waugh, P., & Rice, P. (1989). Modern Literary Theory: A Reader. Edward Arnold
• Waugh, P. (1984). Metafiction: The Theory and Practice of Self-Conscious Fiction. (3rd ed., 2003). Routledge

Chapter in book

• Waugh, P. (2016). Precarious Voices: Moderns, Moods, and Moving Epochs. In D. Bradshaw, L. Marcus, & R. Roach (Eds.), Moving Modernisms: Motion, Technology, and Modernity (191-216). Oxford University Press. https://doi.org/10.1093/acprof%3Aoso/9780198714170.003.0014
• Waugh, P. (2016). Afterword: Evidence and Experiment. In A. Whitehead, A. Woods, S. Atkinson, J. Macnaughton, & J. Richards (Eds.), The Edinburgh companion to the critical medical humanities (153-160). Edinburgh University Press
• Waugh, P. (2016). Memory and Voices: Challenging Psychiatric Diagnosis through the Novel. In S. Groes (Ed.), Memory in the Twenty First Century: New Critical Perspectives from the Arts, Humanities, and Sciences (316-324). Palgrave Macmillan. https://doi.org/10.1057/9781137520586_38
• Waugh, P. (2016). Discipline or Perish: English at the Tipping Point and Styles of Thinking in the Twenty-first Century. In A. Hewings, L. Prescott, & P. Seargeant (Eds.), Futures for English Studies: Teaching Language, Literature and Creative Writing in Higher Education (19-38). Palgrave Macmillan. https://doi.org/10.1007/978-1-137-43180-6_3
• Waugh, P. (2015). Beauty Rewrites Literary History: Revisiting the Myth of Bloomsbury. In C. Saunders, J. Macnaughton, & D. Fuller (Eds.), The recovery of beauty : arts, culture, medicine (108-128). Palgrave Macmillan. https://doi.org/10.1057/9781137426741_7
• Waugh, P. (2013). The Naturalistic Turn, the Syndrome, and the Rise of the Neo-Phenomenological Novel. In J. Peacock, & T. Lustig (Eds.), Diseases and Disorders in Contemporary Fiction: The Syndrome Syndrome (17-34). Routledge
• Waugh, P. (2012). Iris Murdoch and the Two Cultures: Science, Philosophy and the Novel. In A. Rowe, & A. Horner (Eds.), Irish Murdoch: Texts and Contexts. Palgrave Macmillan
• Waugh, P. (2012). The Novel amid other Discourses. In R. L. Caserio, & C. Hawes (Eds.), The Cambridge History of the English Novel (661-677). Cambridge University Press. https://doi.org/10.1017/chol9780521194952.043
• Waugh, P. (2012). "Did I not banish the soul?" Thinking Otherwise, Woolf-wise. In D. Ryan, & S. Bolaki (Eds.), Contradictory Woolf: Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf (23-42). International Virgina Woolf Society, Clemson University Press
• Waugh, P. (2012). Thinking in Literature: modernism and contemporary neuroscience. In D. James (Ed.), The Legacies of Modernism: Historicising Postwar and Contemporary Fiction (73-95). Cambridge University Press
• Waugh, P. (2011). 'Kazuo Ishiguro’s Not-Too-Late Modernism'. In S. Groes, & B. Lewis (Eds.), Kazuo Ishiguro: New Critical Visions (13-30). Palgrave Macmillan
• Waugh, P. (2011). Legacies: from literary criticism to literary theory. In J. Harding (Ed.), T. S. Eliot in Context (381-394). Cambridge University Press
• Waugh, P. (2010). Contemporary British Fiction. In M. Higgins, C. Smith, & J. Corner (Eds.), Cambridge Companion to Modern British Culture (115-137). Cambridge University Press
• Waugh, P. (2010). Muriel Spark and the Metaphysics of Modernity: Art, Secularization and Psychosis. In D. Herman (Ed.), Muriel Spark: Twenty First Century Perspectives (63-93). University of John Hopkins Press
• Waugh, P. (2010). Intellectual History and Twentieth-Century Fiction. In R. caseiro (Ed.), The Cambridge History of the Novel. CUP
• Waugh, P. (2010). Muriel Spark: the secular and the sacred. In D. Herman (Ed.), Muriel Spark: Twenty-First-Century Perspectives. Johns Hopkins University Press
• Waugh, P. (2009). Empathy, Affect and the Cosmopolitan in the Novels of Ishiguro. In S. Groes (Ed.), Kazuo Ishiguro and the International Novel
• Waugh, P. (2009). The Historical Context of Post-War British Literature. In K. Cockin, & J. Morrison (Eds.), The Post-War British Literature Handbook (35-37). Continuum
• Waugh, P. (2009). Critical Theory and the Novel. In B. W. Shaffer (Ed.), The Encyclopedia of Twentieth-Century Fiction (part of the three-volume Encyclopedia of Literary and Cultural Theory). John Wiley & Sons Ltd Wiley-Blackwell
• Waugh, P. (2009). Writing the Body in Modernism and Postmodernism. In J. MacNaughton, U. Maude, & C. Saunders (Eds.), The Body and the Arts (131-148). Palgrave Macmillan
• Waugh, P. (2008). Revising the Good: Iris Murdoch and the Two Cultures Debate.
• Waugh, P. (2007). Visceral Perturbations and Human Judgements: Ethics and the Novel. In B. Aritzi, & S. Martinez-Falquina (Eds.), On the Turn: The Ethics of Fiction in Contemporary Narrative in English (20-42). Cambridge Scholars Publishing
• Waugh, P. (2006). The Woman Writer and the Continuities of Feminism. In J. F. English (Ed.), A Concise Companion to Contemporary British Fiction (188-209). (New.ed). Blackwell
• Waugh, P. (2006). 1963, London: The Myth of the Artist and the Woman Writer. In B. Mchale, & R. Stevenson (Eds.), The Edinburgh Companion to Twentieth-Century Literatures in English (173-186). Edinburgh University Press. https://doi.org/10.1515/9780748627103-016
• Waugh, P. (2006). Value: criticism, canons, and evaluation. In The Theory and Practice of Literary Criticism: an Oxford Guide (70-82). Oxford University Press
• Waugh, P. (2006). Constructions and Deconstructios of the Women Writer. In J. English (Ed.), Blackwell Companion to Women's Writing in the Twentieth Century (188-209)
• Waugh, P. (2005). Science and Fiction in the 1990s. In N. Bentley (Ed.), British fiction of the 1990s (57-78). Routledge
• Waugh, P. (2005). Just-So Stories?: Science, narrative and intertextuality. In Symbolism: International Journal of Aesthetics (1-42)
• Waugh, P. (2005). ‘Feminism and Writing: The Politics of Culture’. In L. Marcus, & P. Nicholls (Eds.), The Cambridge History of Twentieth-century Literature (600-618). Cambridge UP
• Waugh, P. (2005). Science and fiction in the nineties. In N. Bentley (Ed.), Fiction in the Nineties (32-48). Palgrave
• Waugh, P. (2005). Postmodern Fiction and the Rise of Modern Literary Theory. In B. Scaffer (Ed.), Blackwell Companion to the British and Irish Novel, 1945-present (66-83)
• Waugh, P. (2005). Creative Writers and Psychopathology: The Cultural Consolations of ‘The Wound and the Bow’ Thesis’. In C. Saunders, & J. Macnaughton (Eds.), Madness and Creativity in Literature and Culture (177-194). Palgrave Macmillan
• Waugh, P. (2004). Evolution as redemption? Scientific fundamentalism and the crisis of value in literary cultures. In Anglistik
• Waugh, P. (2004). Creative Writers and Psychopathology: the Cultural Consolations of the Wound and the Bow. In J. McNaughton, & C. Saunders (Eds.), Madness and Creativity in Literature and Culture (177-194). Palgrave
• Waugh, P. (2002). Woolf, Fry and Cambridge Realism : science and aesthetics after Impressionism. In D. Carpi (Ed.), Literature and the Visual Arts. Ligouri
• Waugh, P. (2001). Beyond Mind and Matter : Scientific Epistemologies and Modernist Aesthetics. In J. Thobo-Carlsen (Ed.), Significant Forms : The Rhetoric of Modernism. Aalborg
• Waugh, P. (2001). ‘'Think of a Table When You’re not There': The Problem of Knowledge in Modernist Painting and Fiction’. In D. Carpi (Ed.), Literature and the Visual Arts in the Twentieth Century (29-57). Enzo Editrice
• Waugh, P. (2001). Postmodernism chapter. In C. Norris, & C. Knellwolf (Eds.), The Cambridge History of Literary Criticism
• Waugh, P. (2001). Beyond Mind and Matter: Scientific Epistemologies and Modernist Aesthetics. In J. Thobo-Carlsen (Ed.), Significant Forms: The Rhetoric of Modernism
• Waugh, P. (2001). The Legacy of Thomas More : Utopia and Utopianism; aesthetic indeterminacy and the problem of political determinism. In Modern Language Notes
• Waugh, P. (2001). Postmodernism. In C. Knellwolf, & C. Norris (Eds.), The Cambridge history of literary criticism (289-305). Cambridge University Press. https://doi.org/10.2277/0521300142
• Waugh, P. (2000). Utopias and Utopianism: Political Science, Aesthetic Indeterminacy and the Legacy of Thomas More. In F. Le Saux, & N. Thomas (Eds.), Utopias (1-36)
• Waugh, P. (1999). Revising the Two Cultures Debate: Literature, Science and Value. In The Arts and Sciences of Criticism
• Waugh, P. (1998). Modernism, Postmodernism, Gender. In S. Kemp, & J. Squires (Eds.), Feminisms. Oxford University Press
• Waugh, P. (1998). Cultural Theory and Postmodernism. In S. Jackson, & J. Jones (Eds.), New Essays on Contemporary Feminist Theory. Edinburgh University Press
• Waugh, P. (1997). The New Prometheans : science and modern literature. In J.-J. LeCercle (Ed.), . EBRES (ESSE). https://doi.org/10.1080/13825579708574384
• Waugh, P. (1997). Nature Morte: Literature and the principle of Uncertainty after Beckett. In D. Carpi, G. Hartman, J. Hillis Miller, & P. Waugh (Eds.),
• Waugh, P. (1997). Postmodern Feminism. In The Encyclopaedia of Women's Studies. (Rev. 2001). Harvester, Brighton
• Waugh, P. (1992). The Canon. In D. E. Cooper (Ed.), A Companion to Aesthetics. Blackwell
• Waugh, P. (1992). Feminism, modern literary theory and psychoanalysis. In E. Wright (Ed.), Feminism and Psychoanalysis. Blackwell
• Waugh, P. (1992). Stalemates : Gender and modern aesthetics. In S. Regan (Ed.), The Aesthetics of Pleasure. Open University press
• Waugh, P. (1992). Modernism, Postmodernism, Feminism : Gender and Autonomy Theory. In Postmodernism : A Reader. Edward Arnold
• Waugh, P. (1990). Feminism and postmodernism. In The Bete Noire of Feminism

Edited book

• Botha, M., & Waugh, P. (Eds.). (2020). Future Theory: A Bloomsbury Handbook to Critical Concepts. Bloomsbury. https://doi.org/10.5040/9781474219716
• Waugh, P. (Ed.). (2006). Literary Theory and Criticism: An Oxford Guide. Oxford University Press
• Fuller, D., & Waugh, P. (Eds.). (1999). The Arts and Sciences of Criticism. Oxford UP

Journal Article

• Waugh, P. (2018). Muriel Spark’s ‘informed air’: the auditory imagination and the voices of fiction. Textual Practice, 32(9), 1633-1658. https://doi.org/10.1080/0950236x.2018.1533171
• Waugh, P. (2015). The Novel as Therapy: Ministrations of Voice in an Age of Risk. Journal of the British Academy, 3, 35-68. https://doi.org/10.5871/jba/003.035
• Waugh, P. (2009). Review of 'The Two Cultures Controversy: Science, Literature and Cultural Politics in Postwar Britain'. Reviews in History,
• Waugh, P. (2005). Just-So Stories: Fiction, Evolutionary Theory and Intertextualities. Symbolism (New York, N.Y.), 6, 215-255
• Waugh, P. (2004). Evolution as Redemption? Scientific Fundamentalism and the Crisis of Value in Literary Cultures. Anglistik (Heidelberg), 15(1), 63-73
• Waugh, P. (2003). Science and the Aesthetics of English Modernism. New Formations, 49, 32-48