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VISU3001: Advanced Curating: Theory and Practice

Please ensure you check the module availability box for each module outline, as not all modules will run in each academic year. Each module description relates to the year indicated in the module availability box, and this may change from year to year, due to, for example: changing staff expertise, disciplinary developments, the requirements of external bodies and partners, and student feedback. Current modules are subject to change in light of the ongoing disruption caused by Covid-19.

Type Open
Level 3
Credits 20
Availability Available in 2023/24
Module Cap 15
Location Durham
Department Modern Languages and Cultures (Visual)

Prerequisites

  • VISU2011: Introduction to Museums and Curating

Corequisites

  • None

Excluded Combinations of Modules

  • None

Aims

  • To develop advanced understanding of curating and exhibition design
  • To develop students' ability to analyse and critique exhibitions with a high level of sophistication
  • To allow students to develop and deploy their knowledge and skills in a practical critical engagement with real exhibitions

Content

  • The module will cover all aspects of curating and display. Topics covered will include collections development (including object selection and acquisition); curation of collections (including documentation, conservation of objects and advanced object research); and the exhibition of collections (including developing an exhibition narrative, interpretation and planning the visual and spatial layout of exhibitions). The module will involve two field trips so that students can gain practical insights into the design of real exhibitions.

Learning Outcomes

Subject-specific Knowledge:

  • On completion of this module students should have a comprehensive understanding of the major considerations involved in exhibition planning and design, from both a theoretical and practical perspective.

Subject-specific Skills:

  • On completion of this module students will develop:
  • critical skills in the analysis of exhibitions
  • confident command of a broad range of technical vocabulary and critical terminology necessary for the analysis of exhibitions
  • an ability to write critically and convincingly about the aesthetic and formal specificities of exhibitions, and to draw conclusions from these
  • an ability to construct a coherent argument informed by major theories of curating and display

Key Skills:

  • visual, spatial, and verbal analysis,
  • critical analysis and reasoning,
  • independent research,
  • academic and non-academic writing,
  • organisation,
  • time management,
  • presentation and team work
  • IT: word-processing, using online databases and other web-based resources.

Modes of Teaching, Learning and Assessment and how these contribute to the learning outcomes of the module

  • This team-taught module will be taught weekly throughout the academic year.
  • Lecture-seminars (once weekly) will introduce and facilitate discussion of key curatorial themes and theories.
  • There will be two field trips: a teaching field trip, in which students will explore exhibitions (e.g. Baltic, MIMA, Laing Gallery) under the guidance of the course tutor; and an assessment field trip (e.g. York or Edinburgh) in which students will engage independently with exhibitions in preparation for their summative assessment.
  • The module will be assessed by means of a 3000-word exhibition analysis based on the assessment field trip, which will allow students to apply their factual and conceptual knowledge and analytical skills to an engagement with a real exhibition.
  • The second two-part element of summative assessment strand (totalling 2000 words) will be focussed upon communication with non-academic audiences.
  • a) Students will be presented with four objects from DUs collections. They are then tasked with creating a narrative that links the objects and presenting that in the form of a 250-word text panel pitched at a general museum audience plus 4x individual object labels (at 150 words each).
  • b) Students are required to write a 1,150 exhibition/museum/gallery review suitable for a non-specialist publication (for example a newspaper, magazine or online).

Teaching Methods and Learning Hours

ActivityNumberFrequencyDurationTotalMonitored
Lecture / Seminar20Weekly1.5 hours30 
Field Trip2In each of the first two terms10 hours20 
Preparation and reading150 
Total200 

Summative Assessment

Component: Exhibition analysisComponent Weighting: 60%
ElementLength / DurationElement WeightingResit Opportunity
Exhibition analysis3000 words100 
Component: Writing for non-specialist audienceComponent Weighting: 40%
ElementLength / DurationElement WeightingResit Opportunity
Newspaper review1,150 words50 
Text panel and labels850 words50 

Formative Assessment

Seminar presentations

More information

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