Department of Music

Dr. Eric Skytterholm Egan’s siúil go ciúin, a 50-minute cycle for prepared piano, was premiered in Norway in September and the recording is now available online.

MA student Aliyah Ramatally talks about her experience of organising the Music Department's live streaming concert to celebrate International Women's Day 2023.

Durham Music Department lecturers James Weeks and Katherine Hambridge recently took part in the opening concerts of the Royal Northern Sinfonia’s season at the Sage Gateshead, which were programmed to mark the exhibition of the Lindisfarne Gospels at Newcastle’s Laing Gallery.

“in One |1” (2015-19), written by Dr. Eric Skytterholm Egan was recently performed and recorded by world-leading guitarist Diego Castro Magas at the Pontifica Universidad Católica de Chile.

We are delighted to celebrate the publication of Dr Austin Glatthorn’s monograph, Music Theatre and the Holy Roman Empire. Now an Honorary Fellow, Austin completed the book with us at Durham during his time as British Academy Newton International Fellow, working with Dr Katherine Hambridge.

PhD Music student Rita Ueda has been awarded the prestigious title of 2022 Laureate for the Azrieli Commission for Canadian Music. Offered by the Azrieli Foundation, this is the most coveted title for composers in Canada.

New research led by Dr Kelly Jakubowski suggests that preferences for synchrony in groove-based music may be universal, whereas preferences for isochrony are more culturally dependent.

Professor Julian Horton’s new book entitled “Robert Schumann: Piano Concerto” has been published by Cambridge University Press. Offering a concise introduction to one of the most important and influential piano concertos in the history of Western music, this handbook provides an example of the productive interaction of music history, music theory and music analysis.

Dr Amanda Hsieh, Assistant Professor of Musicology at Durham University, won the $2,000 Kurt Weill Article Prize for “Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s Die tote Stadt in Post-First World War Austria,” published in Music and Letters in 2022.

Congratulations to Dr Samuel Horlor, Lecturer in Ethnomusicology, and Chair of the Equality, Diversity and Inclusion Committee in the Department of Music who has been awarded the 2023 Rulan Chao Pian Publication Prize from the Association of Chinese Music Research.

Associate Professor Kelly Jakubowski from our Department of Music explores the link between memory and song lyrics.

In a new study, Durham researchers have investigated how a vast number of musical cues can help shape different emotions in music.

The well known Christmas carol 'O Come All Ye Faithful' is sung at festive services across the country but music expert Professor Bennett Zon claims that many people probably don’t realise that the popular song has distinctive political roots.