Durham Music Department lecturers James Weeks and Katherine Hambridge recently took part in the opening concerts of the Royal Northern Sinfonia’s season at the Sage Gateshead, which were programmed to mark the exhibition of the Lindisfarne Gospels at Newcastle’s Laing Gallery.

We are delighted to announce that the Department of Music has been awarded an Advance HE Athena Swan Bronze Award.

“in One |1” (2015-19), written by Dr. Eric Skytterholm Egan was recently performed and recorded by world-leading guitarist Diego Castro Magas at the Pontifica Universidad Católica de Chile.

We are delighted to celebrate the publication of Dr Austin Glatthorn’s monograph, Music Theatre and the Holy Roman Empire. Now an Honorary Fellow, Austin completed the book with us at Durham during his time as British Academy Newton International Fellow, working with Dr Katherine Hambridge.

PhD Music student Rita Ueda has been awarded the prestigious title of 2022 Laureate for the Azrieli Commission for Canadian Music. Offered by the Azrieli Foundation, this is the most coveted title for composers in Canada.

New research led by Dr Kelly Jakubowski suggests that preferences for synchrony in groove-based music may be universal, whereas preferences for isochrony are more culturally dependent.

The recent Wordle spinoff, Heardle, challenges players to identify popular songs from short music clips. Dr Kelly Jakubowski from Music explains the science behind why people love this new game.

The Music Department is proud to announce that we are now part of the largest All-Steinway School in the nation.

On 9 April 2022 the NTR ZaterdagMatinee will present the world première of Richard Rijnvos' "Amérique du Sud".

We are pleased to announce that the Music Department is involved in the Sutton Trust summer schools scheme, which is designed to give bright students from under-represented backgrounds an experience of studying at a leading university.

It is with great sadness that the Music Department shares the news of the death of Emeritus Professor Peter Manning.

New research from Durham University’s Music & Science Lab suggests that while biology may determine which sounds we perceive as unpleasant, musical preference is culturally acquired.